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Disambiguation: Thomas Hood (Died June 1702) was City manager of New York in that year.


Thomas Hood (May 23, 1799 - May 3, 1845) was a British humorist and poet.

A boy of Thomas Hood, bookseller, he was natural around London. "Next to being a citizen of the world," writes Thomas Hood inside his Literary Reminiscences, "it must be the best thing to be born a citizen of the world's greatest city." On the demise of her married man around 1811 Mrs Hood moved to Islington, where Thomas Hood got the schoolmaster world health organization appreciated his talents, "made him feel it impossible not to take an interest in learning while he seemed so interested in teaching." Under a care of this "decayed dominie", he earned two or three guineas--his number one literary fee--by revising for the click the future edition of Paul and Virginia. Admitted shortly fallowing into the counting-home of a friend of his personal, he "turned his stool into a Pegasus on three legs, every foot, of course, being a dactyl or a spondee"; however a incompatible profession affected his health, which was never heavy, & he was sent to his father's relations at Dundee, Scotland. There he led the fit outdoor life, & besides became the big & indiscriminate reader, & soon contributed humourous & poetic articles to the provincial newspapers & magazines. As a proof of his literary vocation, he utilized to write out his verse form around printed characters, believing that that run better enabled him to know his have peculiarities & faults, & probably unaware that Samuel Taylor Coleridge had recommended some such method of criticism while he said he thought "print settles it." inside his go to to London inside 1818 he applied himself assiduously to a art of engraving, where he acquired the skill that in fallowing years became the virtually all valuable supporter to his literary labours, & enabled him to illustrate his various humours & fancies by the cornucopia of quaint gear, which non simply repeated to the eye the impressions of the text, however, by suggesting amusing analogies & contrasts, added well to the feel & outcome of the act.

Within 1821, John Scott, the editor of the London Magazine, was killed within the duel, and a periodical passed into a paws of occasionally friends of Hood, world health organization proposed to produce him sub-editor. His installation into this congenial post at when introduced him to a better literary society of the period; & inside becoming the associate of Charles Lamb, Henry Cary, Thomas de Quincey, Allan Cunningham, Bryan Procter, Serjeant Talfourd, Hartley Coleridge, the peasant-poet John Clare & other contributors to the magazine, he bit by bit developed his have rational powers, & enjoyed that happy intercourse by owning superior minds for which his cordial & mental character was and then swell adapted, and which he has described inside his better manner around many chapters of ''Hood's Have.

He experienced married around 1825, and Odes & Addresses--his foremost act--was written withinside conjunction by having his brother-in-law J.H. Reynolds, the friend of John Keats. ST Coleridge wrote to Charles Lamb averring that a book must become his function. A Plea of the Midsummer Fairies (1827) & the spectacular romance, Vampire, published late, belong to this instance. A Plea of the Midsummer Fairies was the volume of good verse, where Hood showed himself the worthy follower of Keats. However he was referred to as a humourist, & the public, which got learned to require jokes from either him, rejected this little book most totally. There was tremendously confessedly poetry in a verse, & lot healthy feel & lament observation in a prose of these works; however the poetic feeling & lyrical facility of the one, & the additional firm qualities of the more, seemed better made use of after it were subservient to his rapid wit, & to the ingenious coruscations of his fancy. This impression was confirmed per series of the Comic Annual, dating from either 1830, the rather publication at that period popular, which Hood undertook & continued, most unbacked, for many years. Thereunder somewhat frivolous title he treated all a leading cases of a day within a ticket spirit of impersonation, completely free streaming from either either raunch & coarseness, while forgoing the trait of household malice, & by having an under-todays of admittedly sympathy & honorable purpose that may preserve these papers, rather the sketches of Hogarth, yearn fallowing the cases & manners it illustrate keep close at hand passed from the minds of men. However even as the agreeable fool rose into a earnest ironist, ore of the virtually all striking peculiarities of his style became a other unmistakable defect. A attention of the reader was distracted, & his full taste annoyed, per incessant have of wordplay, of which Hood got written within his have vindication:

"However critics may take offence,
A double meaning has double sense."
Today these are admittedly that a critic must exist as unconscious mind of occasionally of the subtlest charms & nicest delicacies of language world health organization would exclude from either humourous writing completely people impressions & surprises which depend on the have of the diverse feel of words. a history, indeed, of several a word lies hid inside its ambiguous utilizes; & it nohow derogates from either either either a dignity of a greatest poetry to benefit nature & severity & kind from a ingenious application of the equivalent sounds to different senses, and other than from the contrivances of rhythm or even the accompaniment of imitative sounds. However whilst this habit becomes the characteristic of any wit, these are impossible to stop it from either either degenerating into occasional clowning, & from supplying a inexpensive & quick resource, anytime trueness vein of humour becomes thinly or even uncommon.

In case Hood got been entity to place under a select few restraint a curious & complex machinery of words & syllables which his fancy was endlessly producing, his style would st& been a great gainer, and lot very earnestness of object, which today lies confused per brilliant kaleidoscope of language, would have remained definite & clear. He wwhen probably caring of this danger; for, as he gained personal experience as a writer, his diction became extra elementary, & his ludicrous illustrations less frequent. In another annual known as a Gem appeared a verse form on the story of Eugene Aram, which first manifested a fully extent of that poetic vigour which seemed to advance merely around proportion when his physical health declined.

He began a magazine around his have title, for which he secured the assistance of several literary men of reputation & authority, however which was chiefly sustained by his have rational activity. from either either a infected-bed, from which he never rose, he conducted this act by owning surprising energy, & there composed victims verse form, as well couple inside total, however immortal in the English language, like the "Song of the Shirt" (which appeared anonymously in the Christmas total of Punch, 1843), the "Bridge of Sighs" & a "Song of the Labourer," which seized a deep mortal interests of a period, & transported a babies from either the ground of social philosophy into the loftier domain of the imagination. It is there is no strident expressions of anger at a discrepancies & contrasts of humanity, however patently, solemn pictures of conditions of life, which neither a politician nor a moralist may deny to survive, & which it is peremptorily required to guide. Woman, inside her atrophied life, inside her hurried dying, on this text stands appealing to the society that degrades her, using the combination of smoothness & poetry, of forms of art at another time instant & lasting, & by using wonderful metric energy & kind.

Hood was associated using a Athenaeum'', started within 1828 by James Silk Buckingham, and he was the regular contributor for the rest of his life. Prolonged unwellness brought in straitened circumstances; & application was mass produced to Sir Robert Peel to place Hood's name on a pension listing using which a British state therefore moderately rewarded the national services of literary men. This was done while forgoing delay, & a pension was continued to his married woman & personal when his demise. Nine years late the monument, raised by public subscription, in the cemetery of Kensal Green, was inaugurated by Richard Monckton Milnes with a concourse of spectators that showed how else swell a memory of a poet stood the line 3 text of period. Artificer come from either a great few feet away to look at & honour a image of a popular writer whose better efforts got been dedicated to a stimulator & a sufferings of a workers of the globe; & literary men of completely opinions gathered around the grave of one of their brethren whose writings were at when the delight of each son & the instruction of each human world health organization see the babies. Happy the humourist whose works & life come an illustration of a neat moral truth that a humor is a upright balance of all a faculties of mortal, a better security against the pride of noesis & the conceits of the imagination, the strongest inducement to submit by using a caring & devout patience to the vicissitudes of human being.

Bibliography

A names of Hood's individually published works is when follows: Odes & Addresses to Swell Humans (1825) Whims & Oddities (2 series, 1826 & 1827) A Plea of a Midsummer Fairies, hero & Leander, Lycus the Centaur & more Verse form (1827), his sole collection of good verse A Dream of Eugene Aram, a Manslayer (1831) Tylney Hall, the novel (Iii vols., 1834) A Mirthful Annual (1830-1842) ''Hood's Have, or even, Laughter from either Season to Season (1838, 2nd series, 1861) Higher a Rhine (1840) Hood's Magazine & Comic Miscellany (1844-1848) National Tales (Ii vols., 1837), the collection of short novelettes Whimsicalities'' (1844), using illustrations from either John Leech's designs; and numbers of contributions to contemporary periodicals.

fr:Thomas Hood

Tim Turpin by Thomas Hood (1799-1845)
This morbidly funny poem by English humorist Thomas Hood(1799-1845) illustrates that his wit is timeless. At this site you'll also find a link to Thomas Hood resources.






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